Review – Sin City (Blu-ray)

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Sin City

Sin City (Blu-ray)

Release Date: April 21, 2009
Own it on Blu-ray

Directors: Frank Miller and Robert Rodriguez

Writer: Frank Miller

Stars: Jessica Alba, Benico Del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis, Elijah Wood

MPAA Rating: R

HoboTrashcan’s Rating:

Sin City is a dark place filled with corrupt politicians, heroic fall guys and an army of hookers who keep the peace down in Old Town. It’s a city where you can be shot, bludgeoned with a sledgehammer and electrocuted and can live to spout off a witty one-liner. It’s a black and white metropolis where it always rains and the only splashes of color come from things like blood and yellow child-molesting monsters. In short, it’s not the type of place you would ever want to live.

It is, however, a very wonderful place to visit. Comic book fans have been visiting Frank Miller’s Sin City for years, but in 2005, Miller teamed with director Robert Rodriguez to bring his dark city to life in a collection of memorable film noir stories. Using green screen technology and cutting edge special effects, the two co-directors were able to faithful adapt Miller’s original vision to the big screen, creating a unique and visually-stunning cinematic experience. And now, that cinematic experience has been re-released in a special two-disc edition.

Sin City is a collection of four separate stories.

The first story, “The Customer is Always Right,” is a brief vignette that unfolds at an upscale party. A beautiful woman (Marley Shelton) is standing on the balcony when she is approached by a mysterious stranger (Josh Hartnett), who offers her a cigarette. The woman quickly learns that this is not a chance meeting.

The second story, “That Yellow Bastard,” is broken up into two parts in the film. In it, police officer John Hartigan (Bruce Willis) is trying to protect Nancy Callahan from Roark Junior (Nick Stahl), a child molester and killer who is being protected by his powerful father, Senator Roark (Powers Boothe). Hartigan is willing to do whatever he must do to protect the girl, no matter the cost.

“The Hard Goodbye” is the third story in the film. It centers around Marv (Mickey Rourke), a tough guy with a face only his mother could love, who makes love to a beautiful woman named Goldie (Jaime King). Marv later wakes up to find Goldie dead next to him as police sirens approach his hotel. Knowing he’s been framed, Marv rushes out to find the men responsible and to avenge Goldie’s death, since she was the first woman to treat him so lovingly.

The final story is “The Big Fat Kill,” which centers around Dwight (Clive Owen) and the aforementioned “army of hookers.” Dwight is dating Shellie (Brittany Murphy), who is being harassed by her ex-boyfriend Jackie Boy (Benicio del Toro) and his friends. Dwight embarrasses Jackie Boy, who storms out of Shellie’s apartment and heads to Old Town to aggravate the hookers in order to make himself feel better. However, things quickly take a bad turn and the hookers are forced to make a tough decision that threatens their peace with the cops and the mob. They must act fast to keep from losing control of Old Town.

In the original theatrical release, “The Big Fat Kill” is followed by the second part of “That Yellow Bastard” and an epilogue featuring John Hartnett’s character. However, on this new version of the film, in addition to the theatrical release, all four stories can now be viewed separately in extended unrated versions. So if you just want to watch all of “That Yellow Bastard” without watching the rest of the film, you can. It’s a nice idea. The only story that doesn’t really stand alone well is “The Customer is Always Right,” which has the epilogue with John Harnett tacked on to the end of it in the stand-alone version, but the epilogue doesn’t really make much sense without watching the rest of the film.

Sin City

In addition to the unrated versions of the four stories, the two-disc Blu-ray comes with quite a few extras that allow you to delve deeper into the film. There are a series of 8-10 minute featurettes that each focus on different aspects of the film, including the costumes, the props, the cars and the make-up. The two most interesting featurettes are “How It Went Down,” which reveals how Frank Miller was convinced (or, how he puts it, “seduced”) by Robert Rodriguez to make the film and “Special Guest Director,” which gives a behind-the-scenes look at the one scene in the movie that Quentin Tarantino helmed as a special guest director. The other featurettes are still worth watching and they help you to appreciate the attention to detail Miller has in his drawings, since the cars and props used in the film all came directly from his comics.

The two-disc collection also has two separate commentary tracks, one with Rodriguez and Miller and one with Rodriguez and Tarantino. If you are a fan of manic rambling explanations of trivial things, I suggest going with the Tarantino track. There is also an audio track that features the Austin audience’s reaction to the film. On the Blu-ray version, there is also an exclusive interactive comic book called “Kill ’Em Good.”

However, the most exciting bonus content is grouped under a subcategory called “Rodriguez Special Features.” Any aspiring filmmakers or anyone interested in the behind-the-scenes aspects of filmmaking will definitely benefit from watching these special features. In “15-minute Flick School,” Rodriguez gives fascinating insight into the making and editing of the movie. The director explains things in a very down-to-earth way and tries to show you how you can make a film on a tight budget. It’s very inspiring to watch.

Rodriguez also includes an “All Green Screen Version” of the film, which shows you what the movie looks like without all of the special effects added in. The green screen version is sped up 800% so that you see the entire movie in around 10 minutes. There is also a feature called “The Long Take,” which shows you a 14-minute take directed by Quentin Tarantino. “The Long Take” gives you a feel for what it’s really like on a movie set and it’s the kind of thing you don’t usually get a chance to see.

There are also a couple of fun featurettes included under the “Rodriguez Special Features.” “Sin City: Live In Concert” is a high-def recording of a song by Bruce Willis and the Accelerators, who performed at a special concert with Rodriguez’s band Chingon during the filming of the movie. There is also “10-minute Cooking School,” which features Rodriguez sharing two different recipes for breakfast tacos (which looked delicious).

Sin City is a visually-stunning film that was definitely meant to be viewed on Blu-ray. The film, and the large amount of quality special features that come along with it, make this special edition worth the price. I definitely recommend picking up a copy today.

Sin City

Written by Joel Murphy. Sin City is available now on Blu-ray.

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Note to Self – Back from the dead

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Brian Murphy

Brian Murphy

Okay, I hate to break it to you, but there’s really only one subject worth covering this week.

No, contrary to popular belief, it’s not the NFL draft. No offense to Mel Kiper or any other the other talking heads, but anyone trying to grade a team’s draft days after it happens is full of shit. No one has any clue if Detroit quarterback Matt Stafford is going to be the next Matt Ryan or Ryan Leaf. Maybe a year from now we can start to form an educated opinion, but today … not so much.

It’s not basketball because, lets be honest, everyone knows the finals have already been predetermined. Wake me up when the Los Angeles Lakers and the Cleveland Cavaliers finally square off. Everything else is just a waste of time. Even with a healthy Kevin Garnett it’s doubtful that the Boston Celtics have enough left in the tank to give LeBron James and friends a legit run for their money. And out West? Even after their beatdown of New Orleans earlier this week, does anyone actually think the Denver Nuggets can slow down Kobe Bryant in the playoffs?

And there’s no need to even bring up baseball. Sure, the Boston Red Sox monkey stomped the New York Yankees, but they do that every April. Nothing really matters in the big leagues until after the all-star break (unless you’re talking about the Washington “Natinals,” who have already been mathematically eliminated from the postseason).

No, the one and only game in town these days in hockey, and yes, I fully understand that a chunk of the diehard sports fans out there refuse to accept that the NHL is back and better than ever. Let’s start with ESPN. When their television deal with the NHL expired and they no longer had the broadcasting rights to hockey, ESPN big wigs actually sent a memo out to their radio personalities basically dictating that under no circumstances were folks allowed to acknowledge professional hockey on air. If they couldn’t have hockey, then why not try and bury the league all together?

But a funny thing happened – a rockstar by the name of Alex Ovechkin ushered in a new era and showed the rest of the league that it’s okay to score again. Nothing against the New Jersey Devils, who won a couple Stanley Cups with their suffocating defense, but 1-0 games are for soccer (another sport Americans don’t follow). When Ovie scores and then thrusts his body into the plexiglass, it’s as if he’s inviting the fans to join in on the fun. The kid can do it all. He hits. He shoots. He scores. He passes. In fact, Ovechkin joined Wayne Gretzky and Mario Lemiex as the only players to record 200 goals and 200 assists in their first four NHL seasons. Needless to say, he’s a once in a generation talent who is using his toothless smile and rock star persona to draw casual fans back to the hockey rink.

Even ESPN, mandate and all, is finding time on SportsCenter to show Ovechkin and the NHL some love. Of course, Ovie’s Caps facing off against hockey poster child Sidney Crosby and his Pittsburgh Penguins doesn’t hurt. Having the two biggest names in the sport square off gives that “Bird versus Magic” kind of vibe. The difference is these two don’t like each other. While Larry Legend and Magic had great mutual respect for each other, Ovechkin and Crosby just plain don’t like each other. Crosby thinks Ovechkin showboats. Ovechkin thinks Crosby cries too much. At the end of the day, it’s great theater and provides the NHL’s first must-see TV (for casual fans, at least) since Mark Messier and the New York Rangers won the Cup back in the early 90’s.

I highly suggest you have a beer and a pizza in front of you when the first puck drops this Saturday (or as my mother calls it “when they puck off”). Can the Capitals continue to ride their Russian contingency through another round of the playoffs? Will Evgeni Malkin be able to remind folks he’s on the same level as Ovechkin and Crosby? Does Don Cherry wear pants when watching Crosby highlights? Tune in this weekend for the answer to all of these questions and more.

Brian Murphy is an award-winning sportswriter who also goes by the name Homer McFanboy. Contact him at murf@homermcfanboy.com.

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Murphy’s Law – Saving Chuck

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Joel Murphy

Joel Murphy

This past Monday, the Chuck season finale gave me everything I could possibly hope for – comedy, action and copious amounts of Scott Bakula. The show managed to tie up a number of loose ends and gave fans a satisfying ending while still introducing a fresh twist that set the show up beautifully for the next season. However, watching the finale was quite bittersweet, since a large part of me believes that next season will never come.

It seems like I’m not the only fan giving up hope. Numerous online campaigns have been started to save the show, including campaigns on well-known sites like Give Me My Remote. Fans even decided to gather together to buy Subway sandwiches on Monday (since the show has whored itself out to Subway with some of the most blatant and painful product placements ever witnessed), hoping that a boost in Subway’s sales would convince NBC to save the show. Chuck himself, Zachary Levi, participated – he brought hundreds of fans in Birmingham, England to a local Subway and then got behind the counter to make their sandwiches himself. In a separate campaign, fans are sending boxes of Nerds candy to NBC exec, an idea co-creator Josh Schwartz came up with.

Schwartz and the other writers of the show seemed resigned to the fact that the show might not be coming back, making Monday’s episode feel a bit like a series finale instead of a season finale. Ellie and Awesome’s wedding, Chuck’s progression with Sarah, Morgan finally chasing his dreams and the resolution to the Bryce Larkin storyline all felt like the writers saying, “In case this is our last episode, here’s everything wrapped up in a nice little bow.” If not for the “game-changing” final scene and the ominous “To be continued …” flashed on the screen at the very end, I would have thought that the writers had given up and accepted the fact that the show will be canceled.

The drop in rating to around six million viewers for season two of the show can’t possibly be a good sign. NBC has tried stunt casting, a 3-D gimmick and even gave Chuck the coveted post-Super Bowl timeslot this year, but it hasn’t made a difference in the ratings. (It seems that my pleas for all of you HoboTrashcan fans to watch the show also fell on deaf ears – thanks a lot, jerks.)

Now like Jericho and Friday Night Lights fans before us, Chuck fans are waiting with bated breath to find out if the TV Gods will be merciful and spare our beloved show. NBC has announced that they will make their final decision on the show’s fate May 5.

Instead of sitting idly by waiting for the bad news, I decided to reach out to Mark Christopher Lawrence and Scott Krinsky from Chuck to hear their thoughts on season two and to see if they have any inside info on whether or not the show will be coming back.

I interviewed Lawrence and Krinsky back in 2007, but since then both actors have seen their characters’ roles increase on the show. Lawrence’s character, Big Mike, began shacking up with Morgan’s mom and had a season-long power struggle with Emmett, which were both focal points of the season. And we discovered that Krinsky’s character, Jeff, was a videogame champion, is willing to eat anything to win a contest and is one half of the hit-group Jeffster. So before getting down to business, I decided to ask both actors how they felt about their character’s progressions.

“It has been very exciting to see Big Mike get a piece of the action, so to speak, and I am very happy with where we are now in his progression,” said Lawrence. “I realize that with such a big cast it is impossible to fully explore all the character arcs in every episode and I am a team player, so I’ll be ready when they throw the ball to me.”

“It’s been very exciting seeing the character progress,” said Krinsky. “It’s obviously been a lot of fun further exploring his friendship with Lester, the creation of Jeffster and all the hi-jinks he gets involved in with Lester. I like where Jeff has ended up as it seems he is more inspired and having fun … Being that he has worked at the Buy More for 18 years and the fact that some of his earlier aspirations and dreams never came to fruition, I think he might have become very bored with his life at one time and now these younger guys have come to work with him and he’s a little bit more exhilarated and feels a part of something, similar to anyone who has worked at a job for a very long time, and a new generation has come in and made it fun again.”

Once I got the fun stuff out of the way, I asked them both the tough question – do you think there is a chance this could be Chuck’s final season or do you think fans are worrying over nothing?

“I haven’t heard any word,” Krinsky admitted. “Like everyone else, I am waiting. Though, I am very optimistic. It’s way too early to stop the Chuck train, there’s a lot of story left to tell, especially with the game-changing ending of the season.”

Lawrence had a slightly more pessimistic answer.

“Well, show business is a very fickle lady,” Lawrence said. “She does what she wants to do, when she wants to do it. There has been no word, as of yet, on the fate of the show. However, with Jay Leno moving into primetime, something has to give. That is five hours of non-scripted programming per week that has been cut from the schedule and all of the shows that are on the bubble are vying for the few spots that are left. I hope we are honored with a spot. I’m glad our fans are worried and moved to action. There has to be something said for fan loyalty. We will never forget the incredible love that has been pouring in for us.”

It would almost be fitting in a completely soul-crushing way if one of the most original, heart-felt and funny television shows in recent memory was canceled to make room for a guy who has made a career by hosting a bland, uninspired, lazy talk show that appeals to the lowest common denominator. But instead of dwelling on the fact that Jay Leno ruins everything, I plowed ahead and asked the two Chuck stars how they would like to see the show end.

“Well, assuming we are returning, I don’t ever want Chuck’s story to end,” said Lawrence. “I want Chuck to continue with the Intersect in his head for another 10 years or so. And then Big Mike can retire on a fishing vessel and live happily ever after.”

“Chuck is such a great character,” said Krinsky. “I feel he’s been put in these circumstances for a reason. It’s his fate. It will be great to see what he defeats in the end, and then the payoff and reward for the compromises he had to make in his life. I hope he gets a normal life with Sarah, maybe on a beach far away with some peace and quiet and no computers or electronics. For Jeff, maybe he will find a way to bring his nerd tech capabilities and music together into a moneymaking profession and find a classy girl to settle down with and share a 12 pack.”

Another 10 years of Chuck, culminating with Chuck and Sarah on an island, Big Mike fishing with Morgan’s mom and Jeff sharing beers with a classy lady would certainly make for a memorable and appropriate finale to a terrific show. But in case NBC isn’t swayed by sandwich sales and free boxes of candy, I do have one backup plan to keep Chuck fans happy – a World Tour concert featuring Lawrence’s group NWH from Fear of a Black Hat and Jeffster. Lawrence promised to pitch the idea to his fellow band members and Krinsky seemed incredibly excited about the prospect.

“Shooting and creating Jeffster was indeed a highlight of the season, and it was so wonderful to have it be so well-received by the fans,” Krinsky said. “Of course, you have to give credit to Vik [Sahay] as the ‘ster’ in Jeffster. What an amazing frontman and lead singer. You can’t have a great band without a great lead. A world tour would be awesome. If you’re reading this – we’re available and willing to travel.”

Joel Murphy is the creator of HoboTrashcan, which is probably why he has his own column. He loves pugs, hates Jimmy Fallon and has an irrational fear of robots. You can contact him at murphyslaw@hobotrashcan.com.

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Positive Cynicism – Boldly wasting my 10 bucks

Positive Cynicism 9 Comments
Aaron Davis

Aaron R. Davis

I guess I wouldn’t be worthy of my geek cred if I weren’t planning to go see Star Trek, even with everything it has going against it.

Like what, I’ll just go ahead and imagine you asked? Just a few things.

1. A director I don’t really trust.
But here, I’m willing to be proven wrong. I have to admit, I’ve never seen a movie he’s directed, I just really hated Felicity and Lost pisses me off so much that I’d rather not watch J.J. Abrams swan around in search of a plot. (I was ambivalent about Alias, for anyone keeping score.)

2. Writers who have mainly written garbage.
And Michael Bay garbage at that. I remember Alex Kurtzman and Roberto Orci first and foremost as writers for Hercules: The Legendary Journeys and Xena: Warrior Princess (though they did not move on to Young Hercules, the show that makes it impossible for me not to giggle whenever I hear Ryan “Young Herc” Gosling referred to as an acclaimed actor). Those were fun, tongue-in-cheek shows that have dated rapidly. But mostly their film career has consisted of tired rip-offs (The Island), uninspired sequels (The Legend of Zorro) and Transformers. And I don’t have enough space here to even begin to describe why I thoroughly despised Transformers.

No, wait. Here’s one example: you know the scene where the Autobots are trying to hide in the backyard? Because Spike (I don’t care if they called him Sam in the movie, his name is Spike, dammit) is trying to hide them from his dad? A scene that Joe Dante could’ve handled, but which sort of proves Michael Bay has no sense of humor? I shouldn’t be watching a scene like that in Transformers. I should never be watching a scene in Transformers that leads me to think: You know, it’s too bad these giant robots can’t turn into cars and just hide on the street where no one would notice them, or something. Maybe when they find that magic car battery they keep blathering on about they can fix that. (And was anyone else uncomfortable that the movie ended with the two leads making out on top of their friend Bumblebee? Thank the maker that the credits began before the inevitable Shia-Megan Fox-giant robot threesome started.)

What were we talking about? Oh, right, the negative points against Star Trek.

3. Chris Pine as Captain Kirk.
Have you ever seen Just My Luck? No? Well, first off, you’re the lucky one. I wish I could say the same. And second, when you can’t even out-act Lindsay Lohan in a dime-a-dozen romantic comedy, that’s just embarrassing.

4. No balls.
Everything I read about the film existing in some sort of alternate timeline just sounds like someone without the guts to simply remake Star Trek apologizing to longtime fans. Because why tell a story when you can instead be slavishly devoted to continuity? Stories are overrated!

5. I’m just tired of Star Trek.
It pains me to say it, but I really am sick of Trek. I still have fond memories of the original. My mom was a fan of the show. Actually, my mom was a fan of a lot of things: Star Trek, science fiction, the space program, Carl Sagan … and when I was about eight years old, she transferred her love of these things on to me. Star Trek was only playing on local Chicago reruns then, just starting to hit VHS, and I became an emphatic fan. I was 10 when Star Trek IV: The Voyage Home came out in theaters – the same year the Challenger exploded after take off. Science and science fiction were a big part of my life – they still are – and the catalyst for all of that was Star Trek. Star Trek and my mom. I think for her the future presented on the show was a place of wonder, of excitement, of intellect and action, of discovery and exploration. And it was the same for me, too.

But over the years, Star Trek has withered and become smaller. Star Trek: The Next Generation was fastidious and slow; it had its moments, but it took the vastness of the cosmos and made it, well, not such a big deal. People just went to work there. Sure, there were some things they did, like Q and the Borg, which really felt dangerous and expansive. But for the most part, it was just a show. It wasn’t special to me the way the original series was. And those same people that made that show took Star Trek and ran it into the ground for 15 years with boring episode after boring episode, forced allegory upon forced allegory, and made science fiction absolutely routine.

Do you remember when Star Trek: Nemesis came out about seven years ago? It was the tenth Trek feature. The reviews were awful. Fans hated it with a passion. It was somehow the worst thing the name Star Trek was ever attached to, supposedly even worse than Star Trek V. The reviews were so harshly negative that I never even bothered to see it in the theater, the first time I hadn’t rushed out to see one of these movies since I was 10. When I saw it on video, I didn’t think it was that bad. Honestly, I liked it much more than I liked the previous film, Star Trek: Insurrection, which I felt put the crew on the wrong side of a contrived moral dilemma. It was still tired, but it wasn’t a terrible movie. I think the reality was just that people were incredibly tired of Star Trek. That seems to be the truth of it. It didn’t matter if it was good or bad, it was just too much. No one wanted or needed it.

I’ve been hearing a lot of cynicism directed towards this new movie, and I’ve given it my fair share. But I’ll be in line to see it next weekend for one major reason: the previews are exciting. And I don’t mean the action, necessarily, or baby Kirk driving a fast car, or anything like that. What I mean is that, somehow, the trailers have a sense of something new and exciting and terrible and great and dangerous and thrilling. It has the sense of the original series. The sense that hurtling into space and exploring the stars is as terrifying as it is exhilarating; that discovery and exploration come at a cost of hardship and horror. Every preview I see doesn’t hang on the nostalgia factor or keeping some continuity going. It hangs on a sense that the film is recapturing a manner of genuine science fiction. It’s the first time in a long time that I’ve seen anything involving Star Trek and not felt like I already know everything that’s going to happen.

And that’s a big deal. That deserves my attention.

So I’ll be there, hoping that my experience brings me some kind of joy and reminds me why I liked Star Trek so much in the first place. And my mom will be there, too. And I hope we can share that feeling once again, that the future is a place of wonder, of excitement, of intellect and action, of discovery and exploration. Of seeking out new life and new civilization and boldly splitting our infinitives. All of that trumps whatever trepidation I have about graceless writers, unskilled actors and irritating directors.

And I hope the movie repays the compliment.

Aaron R. Davis lives in a cave at the bottom of the ocean with his eyes shut tight and his fingers in his ears. You can contact him at samuraifrog@yahoo.com.

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Guest Blog Post – Spoiler alert

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By Brian Shea

[Editor's Note: Courtney Enlow is taking the week off, so today we bring you a special guest column from Brian Shea.]

I love when two of my favorite things come together – peanut butter and jelly, chicken wings and beer, television and the Internet. That last one has brought good and bad things lately.

The good part involves my discovery of Hulu. Now, I can giggle along with Jon Stewart or catch an old episode of one of my favorite shows whenever I want. It’s one of the things that make America great.
Just like the ability to talk about your favorite shows with all kinds of people online. I love the ability to connect that way, whether it’s with other fans or with people involved with the show who have a blog.

This brings me to the downside, however. Sometimes people take things a little too seriously.
I popped in to one of my favorite blogs a couple of weeks ago after a particularly funny episode of The Office. I really wanted to share my thoughts on what happened and where the plot might lead in future episodes.

Then I made a terrible mistake. Well, I didn’t think it was a terrible mistake, but the guy who runs the blog and some of his readers certainly thought so. I talked about the previews. You know, the little teaser at the end of the show which gets you excited for next week. That, apparently, ruins things for everyone.

My comment got deleted because it included “spoilers.” In case you haven’t run across any hyper-sensitive people lately, “spoilers” are information about future events in a TV show or movie or even a book.

I can kind of understand if you gave away the ending to The Sixth Sense to someone waiting to see the flick or shouted out the name of the person who dies in that one Harry Potter book before people have a chance to read it.

But the notion of spoilers has seemed to run amok, and I personally think it’s playing a role in the downfall of civilization. I mean, what is going on in this world when you can’t discuss something you saw on TV at a web site dedicated to discussing things you saw on TV?

My problem with people worried about “spoilers” is that they are, well, spoiled. If people want to live in a bubble and never find out any information ahead of time, I don’t see why the rest of us have to change our behavior to make them happy.

Like the recent uproar about how a pirated copy of the Wolverine movie has ended up on the Internet. Tragic, huh?

Who cares about the housing crisis or pirates in Africa when movies are available on the Internet before they hit the theater? Especially when it is a comic book movie. People have gone too far this time.

Do you realize that because some people will get a chance to watch the flick without having to pay $10 a ticket and either $12 for a medium popcorn and soda or $13 for a large popcorn and soda, which means the gross for this release might only be in the low $100 million range instead of inching towards $150 million?

Do people have no respect anymore when they deny movie executives that extra $10 or $20 million? Don’t they know this will cause the difference between a medium and large at the theater to go up to $2?

Okay, okay … I hear you and understand that stealing is a bad thing. But I think some of the reaction I have seen goes a little bit too far. The person who did this really deserves the title of “loser” more than “hardcore criminal.”

If you don’t want to know what happens in this movie ahead of time, don’t download it. If you somehow do find out what happens – which is kind of a silly thing to worry about since I am sure almost all of the plot points have been discussed – just go to the movies, sit back and enjoy the show.

Isn’t that what movies are for anyway? I get that the movie studios make a lot of money off these things because the people who like them can go a little overboard, but I don’t know why that has to turn every aspect of the project into a critical national story. A guy put an unfinished copy of the movie online. That hardly means he should be shot, as one movie executive suggested.
We’ve overcome worse. Like that one time when people found out ahead of time which character died in one of those Harry Potter books.

Yeah, those were dark days. I don’t know how we survived.

Brian Shea used to write for HoboTrashcan, but like Gladys Knight, he left us Pips behind to write for his own site, Regular Guy Column.

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