Review – Sin City (Blu-ray)

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Sin City

Sin City (Blu-ray)

Release Date: April 21, 2009
Own it on Blu-ray

Directors: Frank Miller and Robert Rodriguez

Writer: Frank Miller

Stars: Jessica Alba, Benico Del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis, Elijah Wood

MPAA Rating: R

HoboTrashcan’s Rating:

Sin City is a dark place filled with corrupt politicians, heroic fall guys and an army of hookers who keep the peace down in Old Town. It’s a city where you can be shot, bludgeoned with a sledgehammer and electrocuted and can live to spout off a witty one-liner. It’s a black and white metropolis where it always rains and the only splashes of color come from things like blood and yellow child-molesting monsters. In short, it’s not the type of place you would ever want to live.

It is, however, a very wonderful place to visit. Comic book fans have been visiting Frank Miller’s Sin City for years, but in 2005, Miller teamed with director Robert Rodriguez to bring his dark city to life in a collection of memorable film noir stories. Using green screen technology and cutting edge special effects, the two co-directors were able to faithful adapt Miller’s original vision to the big screen, creating a unique and visually-stunning cinematic experience. And now, that cinematic experience has been re-released in a special two-disc edition.

Sin City is a collection of four separate stories.

The first story, “The Customer is Always Right,” is a brief vignette that unfolds at an upscale party. A beautiful woman (Marley Shelton) is standing on the balcony when she is approached by a mysterious stranger (Josh Hartnett), who offers her a cigarette. The woman quickly learns that this is not a chance meeting.

The second story, “That Yellow Bastard,” is broken up into two parts in the film. In it, police officer John Hartigan (Bruce Willis) is trying to protect Nancy Callahan from Roark Junior (Nick Stahl), a child molester and killer who is being protected by his powerful father, Senator Roark (Powers Boothe). Hartigan is willing to do whatever he must do to protect the girl, no matter the cost.

“The Hard Goodbye” is the third story in the film. It centers around Marv (Mickey Rourke), a tough guy with a face only his mother could love, who makes love to a beautiful woman named Goldie (Jaime King). Marv later wakes up to find Goldie dead next to him as police sirens approach his hotel. Knowing he’s been framed, Marv rushes out to find the men responsible and to avenge Goldie’s death, since she was the first woman to treat him so lovingly.

The final story is “The Big Fat Kill,” which centers around Dwight (Clive Owen) and the aforementioned “army of hookers.” Dwight is dating Shellie (Brittany Murphy), who is being harassed by her ex-boyfriend Jackie Boy (Benicio del Toro) and his friends. Dwight embarrasses Jackie Boy, who storms out of Shellie’s apartment and heads to Old Town to aggravate the hookers in order to make himself feel better. However, things quickly take a bad turn and the hookers are forced to make a tough decision that threatens their peace with the cops and the mob. They must act fast to keep from losing control of Old Town.

In the original theatrical release, “The Big Fat Kill” is followed by the second part of “That Yellow Bastard” and an epilogue featuring John Hartnett’s character. However, on this new version of the film, in addition to the theatrical release, all four stories can now be viewed separately in extended unrated versions. So if you just want to watch all of “That Yellow Bastard” without watching the rest of the film, you can. It’s a nice idea. The only story that doesn’t really stand alone well is “The Customer is Always Right,” which has the epilogue with John Harnett tacked on to the end of it in the stand-alone version, but the epilogue doesn’t really make much sense without watching the rest of the film.

Sin City

In addition to the unrated versions of the four stories, the two-disc Blu-ray comes with quite a few extras that allow you to delve deeper into the film. There are a series of 8-10 minute featurettes that each focus on different aspects of the film, including the costumes, the props, the cars and the make-up. The two most interesting featurettes are “How It Went Down,” which reveals how Frank Miller was convinced (or, how he puts it, “seduced”) by Robert Rodriguez to make the film and “Special Guest Director,” which gives a behind-the-scenes look at the one scene in the movie that Quentin Tarantino helmed as a special guest director. The other featurettes are still worth watching and they help you to appreciate the attention to detail Miller has in his drawings, since the cars and props used in the film all came directly from his comics.

The two-disc collection also has two separate commentary tracks, one with Rodriguez and Miller and one with Rodriguez and Tarantino. If you are a fan of manic rambling explanations of trivial things, I suggest going with the Tarantino track. There is also an audio track that features the Austin audience’s reaction to the film. On the Blu-ray version, there is also an exclusive interactive comic book called “Kill ’Em Good.”

However, the most exciting bonus content is grouped under a subcategory called “Rodriguez Special Features.” Any aspiring filmmakers or anyone interested in the behind-the-scenes aspects of filmmaking will definitely benefit from watching these special features. In “15-minute Flick School,” Rodriguez gives fascinating insight into the making and editing of the movie. The director explains things in a very down-to-earth way and tries to show you how you can make a film on a tight budget. It’s very inspiring to watch.

Rodriguez also includes an “All Green Screen Version” of the film, which shows you what the movie looks like without all of the special effects added in. The green screen version is sped up 800% so that you see the entire movie in around 10 minutes. There is also a feature called “The Long Take,” which shows you a 14-minute take directed by Quentin Tarantino. “The Long Take” gives you a feel for what it’s really like on a movie set and it’s the kind of thing you don’t usually get a chance to see.

There are also a couple of fun featurettes included under the “Rodriguez Special Features.” “Sin City: Live In Concert” is a high-def recording of a song by Bruce Willis and the Accelerators, who performed at a special concert with Rodriguez’s band Chingon during the filming of the movie. There is also “10-minute Cooking School,” which features Rodriguez sharing two different recipes for breakfast tacos (which looked delicious).

Sin City is a visually-stunning film that was definitely meant to be viewed on Blu-ray. The film, and the large amount of quality special features that come along with it, make this special edition worth the price. I definitely recommend picking up a copy today.

Sin City

Written by Joel Murphy. Sin City is available now on Blu-ray.

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Note to Self – Back from the dead

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Brian Murphy

Brian Murphy

Okay, I hate to break it to you, but there’s really only one subject worth covering this week.

No, contrary to popular belief, it’s not the NFL draft. No offense to Mel Kiper or any other the other talking heads, but anyone trying to grade a team’s draft days after it happens is full of shit. No one has any clue if Detroit quarterback Matt Stafford is going to be the next Matt Ryan or Ryan Leaf. Maybe a year from now we can start to form an educated opinion, but today … not so much.

It’s not basketball because, lets be honest, everyone knows the finals have already been predetermined. Wake me up when the Los Angeles Lakers and the Cleveland Cavaliers finally square off. Everything else is just a waste of time. Even with a healthy Kevin Garnett it’s doubtful that the Boston Celtics have enough left in the tank to give LeBron James and friends a legit run for their money. And out West? Even after their beatdown of New Orleans earlier this week, does anyone actually think the Denver Nuggets can slow down Kobe Bryant in the playoffs?

And there’s no need to even bring up baseball. Sure, the Boston Red Sox monkey stomped the New York Yankees, but they do that every April. Nothing really matters in the big leagues until after the all-star break (unless you’re talking about the Washington “Natinals,” who have already been mathematically eliminated from the postseason).

No, the one and only game in town these days in hockey, and yes, I fully understand that a chunk of the diehard sports fans out there refuse to accept that the NHL is back and better than ever. Let’s start with ESPN. When their television deal with the NHL expired and they no longer had the broadcasting rights to hockey, ESPN big wigs actually sent a memo out to their radio personalities basically dictating that under no circumstances were folks allowed to acknowledge professional hockey on air. If they couldn’t have hockey, then why not try and bury the league all together?

But a funny thing happened – a rockstar by the name of Alex Ovechkin ushered in a new era and showed the rest of the league that it’s okay to score again. Nothing against the New Jersey Devils, who won a couple Stanley Cups with their suffocating defense, but 1-0 games are for soccer (another sport Americans don’t follow). When Ovie scores and then thrusts his body into the plexiglass, it’s as if he’s inviting the fans to join in on the fun. The kid can do it all. He hits. He shoots. He scores. He passes. In fact, Ovechkin joined Wayne Gretzky and Mario Lemiex as the only players to record 200 goals and 200 assists in their first four NHL seasons. Needless to say, he’s a once in a generation talent who is using his toothless smile and rock star persona to draw casual fans back to the hockey rink.

Even ESPN, mandate and all, is finding time on SportsCenter to show Ovechkin and the NHL some love. Of course, Ovie’s Caps facing off against hockey poster child Sidney Crosby and his Pittsburgh Penguins doesn’t hurt. Having the two biggest names in the sport square off gives that “Bird versus Magic” kind of vibe. The difference is these two don’t like each other. While Larry Legend and Magic had great mutual respect for each other, Ovechkin and Crosby just plain don’t like each other. Crosby thinks Ovechkin showboats. Ovechkin thinks Crosby cries too much. At the end of the day, it’s great theater and provides the NHL’s first must-see TV (for casual fans, at least) since Mark Messier and the New York Rangers won the Cup back in the early 90’s.

I highly suggest you have a beer and a pizza in front of you when the first puck drops this Saturday (or as my mother calls it “when they puck off”). Can the Capitals continue to ride their Russian contingency through another round of the playoffs? Will Evgeni Malkin be able to remind folks he’s on the same level as Ovechkin and Crosby? Does Don Cherry wear pants when watching Crosby highlights? Tune in this weekend for the answer to all of these questions and more.

Brian Murphy is an award-winning sportswriter who also goes by the name Homer McFanboy. Contact him at murf@homermcfanboy.com.

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