Murphy’s Law – You had me at Denzel

Murphy's Law 5 Comments
Joel Murphy

Joel Murphy

If the world really does end in 2012, I hope the apocalypse plays out like the one in The Book of Eli, the new film directed by Albert and Allen Hughes.

Granted, the post-apocalyptic world presented in the film is a bleak and desolate wasteland; a place where food and water are scarce and many survivors are either blind or illiterate. However, all in all, it doesn’t seem like such a terrible place – people still have iPods, KFC wet naps are plentiful and, although they are struggling to survive, everyone takes the time to pick out stylish outfits and bad ass shades. (It’s a post-apocalyptic world that would make Tim Gunn proud.)

As you probably already know, Hollywood has offered a wide variety of flavors when it comes to Armageddon. Zombies, aliens, robots and natural disasters are always popular choices and they usually make for entertaining films. However, I wouldn’t actually want to experience any of those end of the world scenarios (especially the robot one, which – let’s face it – is pretty much inevitable).

The film’s version of the apocalypse is heavily influenced by Cormac McCarthy’s The Road. Like The Road, Eli’s landscape is a washed out (possibly post-nuclear) environment where ash rains down from the sky and people must travel down abandoned highways in search of food and supplies. Much like McCarthy’s story, walking down these highways is a harrowing experience where bad guys lurk around every corner, waiting to attack or eat you. But The Book of Eli has one key element that makes it my preferred post-apocalypse – namely, a machete-wielding Denzel Washington.

Like the man and his son in The Road, Denzel’s character Eli is just trying to make his way to the coast. He does his best to avoid bad guys, but when they do surface, he is more than willing to chew bubblegum and kick ass … and with luxury items incredibly hard to come by, Eli is all out of bubblegum. Best of all, since the world ended over 30 years ago and most of the survivors don’t remember anything about life before it all went boom, the bad guys have never heard of samurai films, which means they don’t know better than to circle around their target and attack him one at a time. Even the thugs who have guns aren’t lucky enough to have grown up playing hours of Call of Duty and Gears of War, so they are worse shots than a nearsighted Storm Trooper with Parkinson’s. So while danger is everywhere, you don’t exactly have to be a trained killing machine to survive.

Even if you don’t fancy yourself the type who carries around a saber and smites anyone foolish enough to try to turn you into their own personal Soylent Green (since, let’s face it, we can’t all be as handsome and as awesome as Denzel), you can still cobble together a pretty sweet life. If you are a gorgeous woman looking for a non-taxing job, you can always get a gig pretending to be a damsel in distress in order to lure unsuspecting heroic Denzel types into a trap.

If you aren’t a beautiful woman or if prefer a life off the grid, you can always find a nice house to settle down in, then booby trap the hell out of it to keep away any potential troublemakers. (Oddly enough, this is actually is my goal in life if the world doesn’t go up in smoke, since setting booby traps seems a lot easier than continually shouting, “Get off my lawn!”)

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If you don’t mind a morally-ambiguous career path, you can always go work for Carnegie, the villain played by the always-captivating Gary Oldman. Sure, Carnegie is a sociopath, but you could probably get him to entertain you with stories of Christian Bale’s on-set Dark Knight freak outs, which is a good way to pass the time in this TV-less future. But more importantly, Carnegie seems to run his shanty town like Al Swearengen did in Deadwood – regular folks put in an honest day’s work, then they are free to spend their evenings with a seemingly-endless supply of whores and booze.

Plus, you could always spend your time hitting on Mila Kunis, or if you prefer the cougars, Jennifer Beals. The whole “end of the world” thing has severely limited their dating options, plus Beals’ character is blind, so you don’t even have to be good looking to have a shot with her.

Now, I’m not saying that Eli’s world is all sunshine and lollipops, but if all good things truly must come to an end, this is the end I’m rooting for. I’ll take cool shades and Old West-style shanty towns over melting icecaps and brain-eating zombies any day. But since I know the chances of things actually playing out this way are slim to none, let me just be the first to say that I welcome our benevolent robot overlords with open arms.

Joel Murphy is the creator of HoboTrashcan, which is probably why he has his own column. He loves pugs, hates Jimmy Fallon and has an irrational fear of robots. You can contact him at murphyslaw@hobotrashcan.com.

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From the Vault – One on One with Henry Rollins

From the Vault 1 Comment

Whether on stage screaming lyrics to a song, storytelling at a spoken-word show or helping Will Smith and Martin Lawrence take down white supremacists in Bad Boys II, it’s pretty clear that Henry Rollins is a take no prisoners, take no bullshit kind of guy.

It’s also clear that he’s one of the hardest working celebrities alive today. With a versatile career in a variety of different fields, it’s clear that Rollins can accomplish anything he puts his mind to. In 2007, he took some time out his busy schedule to talk to us about his career, travels and experiences – and he certainly didn’t pull any punches in the process.

If you missed it then, enjoy it now:
http://www.hobotrashcan.com/2007/01/25/one-on-one-with-henry-rollins/

  

Hobo Stu’s Weekly Recap

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Hobo Stu

Hobo Stu

Hello everyone,

After reading all three columns, what I’ve learned this week is that the best way to improve the Spider-man franchise would be to put the Beatles in it and to have Courtney Enlow liveblog the whole thing.

Of course, as awesome as that would most likely be, chances are it would still lose to Avatar.

Here’s what’s new on HoboTrashcan.com this week:

Murphy’s Law – 10 ways to improve the Spider-man franchise
Sony announced they are rebooting the Spider-man franchise, meaning Sam Raimi, Tobey Maguire and Kirsten Dunst are all out of jobs. Joel Murphy sees this fresh start as an opportunity to make the next Spider-man film better than ever and offers 10 suggestions to make that happen.

Outside of the In-Crowd – The Golden Globes: The Oscars’ drunken slutty sister
Did you miss this year’s Golden Globes? If so, fear not, because Courtney Enlow has you covered with a comprehensive running diary of the entire event. Enlow’s blow-by-blow blog is so good, you can practically smell the alcohol and desperate need for approval emanating from the actors.

Positive Cynicism – The life cycle of a niche cable channel
Paul McCartney’s recent Golden Globes appearance caused Aaron R. Davis and his wife to ponder the possibility of a VH1 Beatles channel. Unfortunately, they already foresee the channel jumping the shark and going downhill.

Hobo Radio 115 – George Lucas is impotent
What would Joel and Lars do with a million dollars? Is Noodles and Company a fast food establishment or a restaurant? Why does Hayden Christensen sound like James Earl Jones when inside the Darth Vader suit? The answers to these questions and more are in this week’s podcast.

From the Vault – One on One with Isiah Whitlock Jr.
Stringer Bell ruled the drug trade in West Baltimore, but when he tried to go legit, Senator Clay Davis showed him that politics aren’t that much different from the street. Playing the senator on the critically-acclaimed show is Isiah Whitlock Jr., who back in 2008 shot the “sheeeeeit” with us about the final season of The Wire, working with Dave Chappelle and Whitlock’s memorable catchphrase.

- Hobo Stu

Hobo Stu’s Weekly Recap is also available as an email newsletter. To sign up for the newsletter to ensure you never miss an update, send an email to newsletter-subscribe@hobotrashcan.com.

  

Hobo Radio 115 – George Lucas is impotent

Hobo Radio 1 Comment
  • Introduction
  • If they had a million dollars
  • 3D movies
  • Noodles and Company
  • Contractually-obligated Batman discussion
  • “Boats – Swept Away” by I Am Not Lefthanded

Week 115 Spotlight: George Lucas is impotent

As Avatar continues to break box office records, it encourages other films to incorporate 3D visual effects in order to capitalize on this latest trend. And since George Lucas never met a dollar he didn’t like, he is already on record saying that James Cameron’s revolutionary film is “a new impetus” to rerelease his original Star Wars films in 3D.

Since Joel Murphy and Lars hate 3D effects and are tired of Lucas’ greed, you can imagine how nonplussed they are about Hollywood’s obsession with the third-dimension. They also aren’t too pleased with Noodles and Company and criminals posing as Batman.

What would Joel and Lars do with a million dollars? Is Noodles and Company a fast food establishment or a restaurant? Why does Hayden Christensen sound like James Earl Jones when inside the Darth Vader suit? The answers to these questions and more are in this week’s podcast.

Hobo Radio is the official podcast of HoboTrashcan, brought to you by The Podcast Network.

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Murphy’s Law – 10 ways to improve the Spider-man franchise

Murphy's Law 3 Comments
Joel Murphy

Joel Murphy

Last week, Sony announced that they are rebooting the Spider-man franchise, meaning Sam Raimi, Tobey Maguire and Kirsten Dunst are all out of jobs.

While it seems a bit premature to completely “reboot” a franchise that is only eight years old, I can’t really blame Sony for their decision after the incredibly disappointing Spider-man 3. For the record, I think Raimi did a pretty good job overall with the franchise, but he and the studio didn’t see eye to eye, which ultimately made the onscreen product suffer. So finding a director who can give Sony what they want might be in the best interest of everyone.

That being said, before I can officially sign off on this reboot, I have 10 suggestions they should follow to keep from “Topher Gracing” this thing a second time …

1. Don’t dwell on the backstory.
While a “reboot” is necessary after the colossal failure of Spider-man 3, it would be silly to completely take this thing back to square one. I think having Peter Parker still be in high school is a good idea, but that doesn’t mean that you have to reshow him getting bitten by a spider and putting on the costume for the first time. We saw his origin onscreen eight years ago, there’s no point in bringing all that up again. Besides, it’s no coincidence that The Dark Knight and X-Men 2 were better than their predecessors. Origin stories are boring; just skip ahead to the good stuff.

2. Cast the right villain.
I am a fan of Willem Dafoe, but his Green Goblin character is nothing short of ridiculous. Dafoe’s performance is completely over the top and making matters worse was the costume, which made him look like a rejected Power Rangers villain. And the less said about Topher Grace as Venom, the better. Finding a believable and compelling villain (like Alfred Molina’s Doc Ock) is key to making the whole thing work. While a Topher-less Venom could be fun to watch, I’d recommend bringing in Michael Clarke Duncan as Kingpin, a role which he played in Daredevil (but don’t count that against him).

3. That’s villain, singular.
A big problem with a lot of these superhero films is that they feel the need to pile on the villains. Spider-man 3 saw our hero battling the (incredibly high) new Goblin, Sandman and Venom, which resulted in a clunky story that didn’t deliver. When it comes to villains, less is more.

4. Keep the mask on.
Dafoe’s aforementioned Power Ranger helmet and Spider-man’s mask made it difficult for the actors to convey emotions in the first film. Raimi’s solution was to have his characters remove their masks whenever possible in subsequent films so that we could see the actors’ facial expressions. It makes sense from an aesthetic point of view, but it’s absolutely ridiculous from a practical one. The entire reason Peter wears a mask and fights crime under a pseudonym is to protect his identity, so when an entire subway train full of people sees his face in the second film, it kind of defeats the purpose. Find actors who can convey their emotions through body language and keep the damn masks on.

5. Don’t go gritty.
Not every comic book movie can be The Dark Knight. Keep it light and fun and full of bright colors. There can be drama and tragedy, but at the end of the day, I want my friendly neighborhood Spider-man full of life and spouting off wisecracks.

6. Remember that this is an action movie.
Sony announced yesterday that they hired Marc Webb, the director of the highly-enjoyable (500) Days of Summer , to helm this reboot. In their press release, Sony said: “At its core, Spider-Man is a small, intimate human story about an everyday teenager that takes place in an epic super-human world … We wanted someone who could capture the awe of being in Peter’s shoes … while giving real heart to the emotion, anxiety and recklessness of that age and coupling all of that with the adrenaline of Spider-Man’s adventure.”

While I agree that hook of Spider-man is seeing how Peter balances being a superhero with his normal, unglamorous life, hiring a director with no real action movie experience to turn this into a “small, intimate human story about an everyday teenager” worries me. At the end of the day, this is still an action movie and it needs to deliver on that front. So while Peter’s personal struggles and some type of love story definitely belong in the film, if Webb doesn’t blow some shit up, I’m going to be angry.

7. Don’t cast Robert Pattinson as Peter Parker.
Or Channing Tatum or any of these other charisma-less, talentless, annoying young douchebag actors out there who make me want to throw things at my TV screen whenever they are on. But I’m specifically talking about Pattinson, who was actually rumored to be in the running for the part (a rumor which has since been dismissed). I’m too old and out of touch with today’s youth to have anyone specific in mind to play Peter (although with Webb as director, I could think of worse choices than Joseph Gordon-Levitt, even if he is a little old to play the part). I hope they find the right guy, since … you know … he’s pretty central to the whole film.

8. Keep J.K. Simmons as J. Jonah Jameson.
I know this is a reboot and you are supposed to be starting from scratch, but he absolutely nailed that role in all three films and anyone cast to replace him would simply pale in comparison.

9. Give us more Gwen Stacy.
Before MJ, there was Gwen Stacy. But in Sam Raimi’s world, Stacy didn’t show up until the third film, which was so unwatchable that her presence hardly registered. Introducing Stacy from day one and playing up the love triangle angle could add a whole new dimension that was missing from Raimi’s films. Of course, part of the reason Raimi couldn’t go all out with the love triangle was because when he did bring in Bryce Dallas Howard to play Gwen, she quickly outshined Kirsten Dunst, which ruined the whole dynamic. And that, my friends, brings us to our most important issue …

10. Find the right Mary Jane Watson.
One of the most iconic moments in comic book history is when Peter Parker, who reluctantly agrees to go on a blind date with the “nice” girl his Aunt Mae wants to set him up with, opens the door to find the drop-dead gorgeous Mary Jane standing there, who says, “Face it, tiger … you just hit the jackpot!”

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Kirsten Dunst could have never pulled off a line like that. Not only does she lack Mary Jane’s gorgeous physique, but she also lacks the charm needed to say that line convincingly. There is a swagger to MJ, but in the hands of Dunst, she became a mousy wallflower. She was nothing like the real MJ, who is supposed to be one of the most captivating and vivacious women in comics.

If you are rebooting the franchise, finding the right Mary Jane is crucial. Sadly, there aren’t a ton of great redheads in Hollywood, but I’m confident that the right girl is out there. Honestly, I don’t care if we all have to suspend disbelief and watch 34-year-old Christina Hendricks play a high school student to get it right; we need someone who can pull off the role.

But luckily, I have a recommendation that is a bit more age-appropriate – Candice Accola, from Deadgirl and The Vampire Diaries (pictured to the right). She is still relatively unknown, but she certainly has the look and the gravitas to pull of the role. So get her, or someone equally as compelling, in the role, let her say the famous line and watch the sparks fly.

Just don’t forget to blow shit up.

Joel Murphy is the creator of HoboTrashcan, which is probably why he has his own column. He loves pugs, hates Jimmy Fallon and has an irrational fear of robots. You can contact him at murphyslaw@hobotrashcan.com.

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