One on One Mark Pellegrino

Celebrity Interviews, Lost 4 Comments
Mark Pellegrino

Mark Pellegrino is such
a big deal in Hollywood these days that people who see him on the street just want to walk up and touch him … then again, that could be because his god-like character Jacob on Lost can grant immortality to anyone he lays his hand on.

We recently sat down with Pellegrino to talk about playing a Christ-like figure on Lost, being a part of the pivotal rug peeing scene in the cult-classic film The Big Lebowski and his fondness for wiener dogs.

How did you get into acting and when did you decide it’s what you wanted to do for a living?

Kind of by accident. I took this commercial workshop, I don’t even know why, kind of as a lark and the guy who taught it thought I had something and set me up with an agent. I started going out on auditions not knowing what I was doing at all, but doing okay in spite of that. My agent decided I was green and needed to be tutored a little bit and set me up with a list of acting schools to go to, and I went to this one that was really cheap and near my house. It turned out to be one of the best acting schools in the West Coast. I got introduced to the craft and couldn’t turn back from there.

Were you able to work steadily early on or were there large stretches where you were unemployed?

Both. I started working early on, even though I didn’t quite know what I was doing, and there would also be some periods where I would go for a few months without any nibbles or auditions for work. It was like that for about four years where I would work and then a couple of months off, three months off, then work some more. Then, after that, it got a lot more consistent.

One of your early credits on IMBD lists you as playing yourself in Hulkamania 4. What exactly was Hulkamania 4 and what was your role in it?

I have no idea what that is. Those things on IMBD, I don’t know quite what they are. But that one, they must have used some footage or maybe some documentary stuff from the film No Holds Barred that I did way back when where I played Hulk Hogan’s little brother.

How was playing Hulk Hogan’s little brother in No Holds Barred? That must have been interesting.

It was pretty awesome. I was still learning and in the very, very early stages of learning about acting and I’m sure it shows, but professional wrestling had reached its peak I think at that time of popularity and it was huge. Vince McMahon, I think, sold the WWF right after that for like a billion dollars or some unheard of sum of money. And Hulk was at the top of his game, so I had seen him a lot on TV, especially after I got the part, I started watching wrestling a little bit more.

It was interesting working with him because he was actually kind of savvy and there was a scene where he had to get emotional and he really got emotional. You don’t expect that out of a professional wrestler. And he’s a nice, down-to-earth guy, which was pleasant since he was an over-the-top kind of guy when he was in the ring. He was very quiet and understated outside of it.

Jeff Bridges just won an Academy Award for Best Actor. You had a chance to work with Bridges on the Coen Brothers’ film The Big Lebowski. What was it like working with Bridges and the Coens and how did it feel to be a part of the pivotal rug-peeing scene?

You know, I’ve always loved Jeff’s work. Then when I got to work with him, I thought that he was an unsung genius. I know that word is thrown around a lot in Hollywood, but literally the guy is just such a great craftsman and so good at what he does. I couldn’t help myself sometimes in scenes just studying him, watching him work. It was pretty amazing.

And the Coen brothers are obviously great. One of them works with the actor and kind of works with you on how he wants the scene to go. And the other one kind of sets up the shot. Ethan would kind of talk to me about the scene; Joel would be doing his thing. Every once in a while, you’d get a little conference with the two of them, but not often. Mostly it was Ethan sitting there in the bathtub while I was dunking Jeff’s head in the toilet. Actually, not dunking his head in the toilet. He had a bad neck, so he had to do all that himself and I had to make it look like I was dunking him and holding him down.

Are you surprised at how enduring that movie has been? It’s become a cult classic and fans now hold annual Lebowski Fests.

In a way yes and in a way no because it’s one of the few movies that I’ve been in that I’ve actually watched more than once and have seen how it just gets better every time. You discover in it things that you didn’t see before for some reason. Like an onion, you keep peeling it away every time. So I can see from that. I don’t know what magic was in it that makes it that way, but it is that way and it’s deserved. It’s like in the top 50 cult films, right? Or top 10 maybe?

It’s great and all of the characters are so dynamic and so strong and so clear. Even when somebody like John Turturro comes on film for five minutes, he’s memorable.

We also wanted to ask you about Dexter. You played Paul Bennett, the abusive ex-husband of Rita …

I prefer to call myself the “misunderstood” ex-husband of Rita.

We never did get to see things from your perspective. Maybe you really were the good guy. You had this serial killer dating you ex and you were just trying to protect your family from him.

That’s it. That’s the way I looked at it. Once I got wise to him that something was up, I was the one who starts to turn things around. I just handled things a bit inappropriately, I guess. (Laughs.) I think getting drunk and trying to rape my ex-wife is a little inappropriate, but you know, I loved her.

There were definitely some great scenes with you and Michael C. Hall in that show.

Yeah, and what’s funny is for like the first couple episodes, I didn’t think he liked me. And I found out later that he didn’t think I liked him. We kind of avoided each other all of the time. We had such a contentious on-screen relationship that it seemed to be bleeding over into the everyday stuff. I think it was just both of us working off each other and thinking we were getting these things off the other because one day we were just both accidentally at craft service and started talking to each other. And I was like, “Oh my god, I thought you didn’t like me.” “I thought you didn’t like me.” “Oh geez.” He turned out to be the nicest guy on the planet. We talked a lot. From then on, it was very different, but those first couple of episodes were a little harrowing.

How did you land the role of Jacob on Lost? Were you a fan of the show before becoming a part of it?

You know, I never even owned a TV until a couple of years ago. So I rarely watch TV. I just don’t have time. And when I did get a TV, I borrowed it from my mom, this old like 1970s thing – not 1970s because I could hook a video up to it and I would just watch videos when I wanted to.

So I had read the treatment for Lost when they were about to do the pilot and I even went up for one of the parts; I don’t remember which one now. But it was one of the best treatments I had ever read. It was a total page turner. And I never watched the show at the time that I auditioned for [Jacob] and had no idea that the part I was going up for was such an important part. I just knew it was a guest star with a possible recurring theme to it.

The situation is – I guess people are so hot to get information from Lost that the sides you audition are not the sides that you work with. And the character is a different name, so if anything gets leaked out it’s kind of like a red herring. So I just auditioned this scene and did well on it and I thought, “I did well, that’s all I can do.” Didn’t find out how important is was until I actually landed on Oahu and started talking to people.

Finding out Jacob’s identity was one of the huge mysteries of Lost. When fans finally saw you in the season five finale on the beach talking to the man in black, it was a huge moment on the show. Were you aware when you were shooting that scene that it was going to be a big moment for the fans or was it just another day at the office?

Well, I did know by that point because we’d done that close to last in the shoot. So I did know at that point that it was a big revelation for people, but knowing that, I still tried to make it a day in the office so that I wouldn’t get overwhelmed by any of that information. Because there’s a lot of it. Every moment in this show seems to have almost Biblical proportions of subtext to it and meaning and history. Oddly enough, this sounds weird to say as an actor, in a weird way, I’m glad I didn’t know that because it makes things a lot easier.

Continue reading this post

Similar Posts:

  

Hobo Radio 123 – Lars’ mom has got it going on

Hobo Radio 1 Comment
  • Introduction
  • Getting old
  • Stereotypes
  • Double standards
  • Lars’ mom
  • Contractually-obligated Batman discussion
  • “Katie Comes a-Callin” by Maria Dunn

Week 123 Spotlight: Lars’ mom has got it going on

We’ve all wondered why Lars has a drinking problem and severe emotional issues. This week, Lars finally opens up. It turns out that many of his issues can be traced back to his mother, who traumatized him by lusting after any ruggedly handsome man with a sweet mustache or a tight behind.

In addition to Lars’ emotional problems, our dynamic duo also discuss stereotypes, the appeal of Tatum Channing and the drawbacks of face tattoos. They also present new evidence that Superman is, in fact, a dick.

What was Jesse James really apologizing for? Is the new Pirates of the Caribbean movie being produced by perverts? Why didn’t Chris Kirkman write this week’s Lost recap? The answers to these questions and more are in this week’s podcast.

Hobo Radio is the official podcast of HoboTrashcan, brought to you by The Podcast Network.

Similar Posts:

  

Lost: Down the Hatch – The Safe Word is LaFleur

Down the Hatch 17 Comments
Joel Murphy

Joel Murphy

“Recon” Recap and Analysis …

I’m not sure if Chris Kirkman is putting the finishing touches on his “tyme masheen” or if these Sawyer episodes just hit too close to home for him, but whatever the case, Chris has asked me to help out with this week’s post. I’ll be providing the in-depth recap and a few quick bits of analysis, then Chris will come in at the end of the column with the expert analysis and insightful, coherent thoughts you’ve come to expect from Down the Hatch.

I realize that seeing my name and photo at the top of this post instead of Kirkman’s probably gives you the same reaction I get whenever I turn on PTI and see Dan Le Batard’s face, but I promise to do my best to not suck too badly. Anyway, without further ado …

Previously, on Lost: Well, they seem to have skipped the “Previously, on Lost” bit, at least on the ABC.com feed, but if you missed last week’s episode, Michael Emerson put on an acting clinic and managed to make us feel sorry for that smarmy bastard Ben Linus. Then, Charles Widmore showed up Bond villain style in his own submarine with what we can only assume are nefarious intentions.

This week, on Lost: The episode begins with Sawyer making two delicious cups of coffee and bringing one to Jin, who is just beginning to wake up. When Sawyer tells Jin that MIB and Claire are on their way back, Jin says they need to get out of there ASAP. Sawyer tells him not to worry, he’s with MIB and they are all going to leave the island together. Jin says he won’t leave without Sun and Sawyer, the old softie, promises to help find her. Then, MIB, Claire, Kate and the rest of Team Black Hat return from their slaughter at the Temple.

We shift to LA X, which offers us a familiar scene. Our favorite conman is in bed with a beautiful woman, who makes sure to do the old network TV trick where she conveniently covers up her naughty bits with a blanket so as not to offend parent groups and television censors. Sawyer breaks out the old “you weren’t exactly supposed to see” this unlatched suitcase full of cash routine, but his beautiful conquest isn’t buying it. She pulls a gun on him and tells him she’s married to a conman and she knows a pigeon drop when she sees one.

AlternaSawyer tells her that she’s got this all wrong. He’s a cop and this is a set up. This hotel room is bugged, the briefcase has a tracer that will lead them back to her husband and all Sawyer has to do is say the magic word and cops will swarm in and take her down. The lady isn’t buying it, so Sawyer says, “LaFleur,” causing AlternaMiles and a SWAT team to bust in and take her down.


“Detective James Ford is a wisecracking bad boy who plays by his own rules. His partner, Miles Straume, is a no-nonsense martial arts expert who can communicate with the dead. Together, they’re about to take down LA’s biggest fugitive, a cold-blooded home wrecker/parent killer known only as Freckles.”

Back on the island, Claire grabs some rope and a knife and checks on her creepy squirrel baby. Kate walks up and gets all judgey, asking Claire what the hell that thing is, to which Claire somberly replies: “It’s all I had.” Then MIB rallies the troops and says he knows everyone had a rough night, but he’s here to answer any questions they have. Cindy the stewardess asks what happened to the people at the Temple and MIB tells her that sadly the black smoke killed them. Then he flashes his trademark John Locke smile to quiet any remaining fears. Kate asks Sawyer why he’s with this guy, but Sawyer explains he’s not with anyone.


Not much of a looker, but at least he has his mother’s eyes.

Over in LA X, Detective James “Don’t call me Sawyer” Ford is cold calling Anthony Coopers to find out if they were in Alabama in 1976. His partner, Miles, asks him what he’s doing and Jim explains that Anthony Cooper is an old friend who has a pair of Lakers tickets. Miles asks Jim about his trip to Palm Springs, which Ford blanks on before remembering that Palm Springs was his cover story for his secret trip to Sydney. Miles goes on to tell Jim that he’s setting him up on a blind date with someone who works with his dad at the museum. (So apparently, Dr. Chang made it off the island and got a job working at a museum. I wonder if he still has both hands.)

On the island, MIB pulls Sawyer aside for a private chat. After admitting that he is “the smoke thing” and defending his decision to kill all those people back at the Temple, MIB tells Sawyer that he needs him to head over to Hydra Island to do some recon on the remaining survivors of the Ajira flight.

In LA X, Det. James Ford shows up to meet his blind date. Filling this week’s quota of surprise cameos from former cast members, James’ blind date is Charlotte. (I’m guessing he’s thankful it wasn’t Keamy, even if that guy can make some killer eggs.) Charlotte and Jim hit it off instantly. She compares her archeological work to Indiana Jones, which leads to a bawdy discussion on how they could best use her whip. Then James claims he became a cop because of the Steve McQueen flick Bullitt, but Charlotte isn’t buying it. She digs a little deeper and gets him to confess that he was at a crossroads in his life where he could either become a criminal or a cop and he chose cop. This honesty causes Charlotte to flash him the bedroom eyes and before you know it, they are back at James’ apartment playing “bury the artifact.”


AlternaCharlotte is not a fan of subtlety. This is a look that says: “It’s business time.”

Things go well until Charlotte goes looking for a t-shirt and accidentally discovers Det. Ford’s “Sawyer” file. He comes back in the room, finds her flipping through his secret folder and tells her to get the hell out of his apartment.

Back on the island, Kate starts up a conversation with Sayid, but his vacant, emotionless responses creep her out. Before she has time to process what is going on with Sayid, Claire tackles her from behind and pulls a knife on her. That’s right, kids, for the 24th time in this show, someone has managed to capture ol’ Freckles. At least Claire is spicing things up and using a knife instead of a gun. MIB makes the save, then he lectures Claire for her inappropriate behavior and he gives her a nice hard slap across the face to really drive his point home.

On Hydra Island, Sawyer finds Kate’s old dress in the bear cages and briefly gets nostalgic. Then, he makes his way to the Ajira plane and finds a pile of bodies nearby. He spots a woman running through the jungle and tackles her. She claims to be the last remaining survivor of the Ajira flight.

Continue reading this post

Similar Posts: