I won’t rehash all of the allegations against him, if you need the skeevy details you can read them here; suffice to say the number of allegations against him is more than Sean Hannity and less than Bill Cosby, but still enough that it seems safe to assume that he’s a grabby creep.
But that’s not the only reason that I’m glad that he’s leaving AICN. No, I’m also happy because Harry Knowles is the worst kind of critic: completely myopic. For a long
time now, Harry has gotten by on his self anointed status of “Head Geek,” while:
Shamelessly name dropping famous people that he knows personally, especially Peter Jackson and Guillermo Del Toro.
My problem was that Knowles’ diatribe reads less like a review than a giant man child temper tantrum thrown by a comic devotee who sees their favorite book turned into a movie without using the original artist’s panels for storyboards, a la Sin City. This suggests that Knowles either doesn’t understand film as a medium or is too immature and self-centered to even respect a vision that differs from his own.
Those are the two words that absolutely encapsulates the feeling I have at this exact moment …
I fucking love BATMAN …
I love this character. One of my best friends is Paul Dini, he was a groomsman at my wedding. I’ve spent countless geeky conversations talking Batman and these characters with him – and watching this “FINAL” story play out. It’s just fucking ridiculous …
The set up would have us believe that after the events of THE DARK KNIGHT, that Batman hung his cape and cowl up, because apparently the death of Harvey Dent triggered a series of sweeping law enforcement initiatives that completely shut down organized crime in Gotham. That isn’t why BATMAN has hung it up, it’s actually because of Maggie Gyllenhaal’s character death in THE DARK KNIGHT.
I call absolute BULLSHIT on that notion right there. BATMAN/BRUCE WAYNE isn’t some soft-hearted slob that hides for the majority of a decade because somebody killed his girlfriend … He isn’t that kind of person.
In the comics, sure, Bruce isn’t that type of person. But this isn’t a comic; it was an (admittedly-flawed) attempt to ground a superhero movie in our reality, not a panel for panel live action recreation of a sticky, dog-eared copy of Knightfall.
He continues with a paragraph proving that his ideal of Batman comics is, in itself, a case of rose-colored glasses.
Alfred leaving Bruce Wayne to handle this mess himself. Bullshit. Alfred Pennyworth is there to the bitter end. It’s his nature. Loyalty. Alfred is Bruce’s witness. The man who never fails to pick him up after a scrap. A man that would watch him fall, just to put him back together again. ALFRED does not throw a hissy and runs off.
Yeah, Alfred would never leave Bruce in the comics. Except for Batman #110, the KnightQuest story and every other time that he finally had his fill of Bruce’s self destructive psychosis.
Ultimately I’m sure many will enjoy it. Already I’ve heard from friends that have enjoyed it. I’m not sure why all my friends that I saw it with tonight came out angry at the film.
Could it be because they were stuck with you for nearly three hours?
If you did love the film – if you think this just kicked everything you’ve seen this year away. I beg you, go to a comic shop, buy some BATMAN comics … Order the BATMAN ANIMATED SERIES … Play ARKHAM ASYLUM. Learn more about the character … This really is in many ways the greatest character in the history of comics – and he’s so much more than what the feature films that Hollywood has given us. DARK KNIGHT is the pinnacle. Somebody, kick its ass … I dare ya.
And I dare Knowles to write future reviews based on critical thought, instead of how films fail to live up to his fanboy nostalgia for an entirely different medium.
But for now, Goodbye Harry.
Yeah, that’s the stuff.
Tony Marion is a writer and filmmaker who splits time between Lancaster, PA and Baltimore, MD. He lives for the work of Descendents (the band), Chuck Palahniuk and Rian Johnson. Check out the digital embodiment of procrastination he calls his website here.